Nina simone discography
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You'll Never Walk Alone feels more like some regal gospel song than the Rodgers & Hammerstein show tune it was. Her instrumental and improvising skills are put to good use in Tadd Dameron's Good Bait, which is transformed into something classical from its original bebop intent. My Baby Just Cares for Me has a stride shuffle that is extrapolate on in piano break. It's also interesting to note that while this was her first recording, record's grooves evidence artist who arrive fully form many of the traits Simone displayed throughout her career as not only vocalist and pianist but as arranger are put on first notice here. It is followed immediately by funky swing in love Me or Leave Me with smoking little piano solo on a bridge where Bach meets Horace Silver and Bobby Timmons. The title track, written by Rodgers & Hart, features good King Wenceslas as a classical prelude to one of the most beautiful pop ballads ever write. It is contrast immediately with one of-if not-definitive reads of Willard Robison's steamy Leave-your-lover ballad Don't Smoke in Bed. Check out the opener, her reading of Duke Ellington's mood Indigo, which finger-pops and swings while keeping phrasing deep-Blue.
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Simone was a solid improviser who never strayed far from the Blues. The album also introduce fine jazz pianist. Back by bassist Jimmy Bond and Albert Tootie heath, it showcases her ballad voice as one of mystery and sensuality and showcases her uptempo jazz style with authority and an enigmatic down-home feel that is nonetheless elegant. Little Girl Blue, released in 1957, was Nina Simone's first recording, originally issued on the Bethlehem label. * Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions * Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions. In original liner notes, she say, We need somebody not to make fun of sex but to praise it. She also covers Jacques Brels Ne Me quitte pas, range upbeat with witty Marriage Is For Old Folks, leads the band in instrumental Blues on Purpose and zips into popish swing on Gimme Some, which Is Simones lusty embrace of Love. The album opens with her hit title track written by Screamin Jay Hawkins, whose 1956 Recording was selected years later by Rock and Roll Hall of Fame as seminal genre shaper. Producer, arranger and conductor Hal Mooney contributed compelling orchestral support along with Simones guitarist Rudy Stevenson in creating the backdrop for Simone to express, sometimes viscerally, sometimes joyfully.
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Dub High Priestess of Soul, Simone radiantly covers a wide range of emotional territory in I Put Spell on You, including angst in relationships, true Love blooming in trees, bluesy acceptance of Life, and moody anger. In 2018, Simone was inducted into the Rock and Roll Hall of Fame, who proclaim: Her triumphant voice sang what it means to be Young, Gifted and Black in a sometimes unjust and troubled world. A distinctive control vocalist and Julliard-school pianist who expressively melded jazz, Blues, pop and classical in her repertoire, Simone was, unlike most other top-Line vocalists of Her Time, an ardent political activist who often used her voice to protest racial inequality and became a siren of the civil rights movement. Laud during their initial releases, both albums have only grown in stature and popularity over the years as Simone's timeless recordings, many covering such important territory as race and equality, remain as vital and relevant as ever 55 years later. I Put Spell on You and Pastel Blues are two of seven incredible albums that Nina Simone Record For Philips Records during an extremely prolific Four-year period from 1963-1967. Nina Simone Albums follow Acoustic Sounds editions of John Coltranes Love Supreme and Ballads set for release on October 9.
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ADVERTISEMENT ADVERTISEMENT ADVERTISEMENT Like all Acoustic Sounds titles, releases are being supervise by Chad Kassem, CEO of Acoustic Sounds, world's largest source of audiophile grade recordings. Utilizing the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings, new audiophile grade LPs, which will be available on November 6, were mastered in stereo from original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co.
#Nina simone discography series#
Two landmark Nina Simone Albums from 1965, I Put Spell on You and Pastel Blues, will be released as definitive audiophile grade versions as the third installment of Verve / UMes ' recently launched audiophile vinyl reissues series Acoustic Sounds.